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Historical context

Aimé de Lemud (French, 1816–1887) was a lithographer and printmaker who worked in Paris between roughly 1840 and 1875. He produced this small domestic scene — a man and a woman drinking coffee at home — around 1840, both designing and printing it himself. The Rijksmuseum impression is bound into the International Fine Print Fair register (IFF après 1800, 21).

The image belongs to the post-Restoration genre register: domestic interiors, small figures, attention to the everyday objects on the table. Coffee in France by 1840 had moved from the salons of the 18th century into the bourgeois household; this is what that transition looked like on the wall.

Why this category recurs. Domestic genre prints — small, intimate, scaled to be looked at across a tea table rather than across a room — are the visual register that home-coffee buyers most consistently respond to. The Rijksmuseum holds dozens; the Wellcome, Boston Public Library, and Rijks together hold hundreds. We include this de Lemud as a strong representative of the genre.

Technically this is a lithograph — a single drawn stone, printed in black or near-black ink. The Rijksmuseum impression carries the collector’s mark Lugt 2140 (front, blind-stamp) and Lugt 2228a (back, ink-stamp), placing the sheet in the Carlier-Pinasseau collection before it entered the Rijks.

The file is a 5436 × 4256 px scan from the Rijksmuseum’s open-access program. At native scale it prints at 18 × 14 inches; it carries cleanly to 20 × 16 inches. The small original was made to be read close; the larger sizes are decisions about wall presence rather than fidelity.

Catalog

Artist Aimé de Lemud
French, 1816–1887
Title Man and Woman Drinking Coffee
Year c. 1840
Medium Lithograph
Original size ≈ 22 × 16 cm
Holding Rijksmuseum, Amsterdam (RP-P-OB-40.642)
License Public Domain
Archive № CA-011

Print specifications

8 × 10 in
intimate scale, native fidelity

Reads like a small framed drawing on a shelf. Warm-cream mat, slim oak frame.

12 × 16 in
our recommended hang

The size at which the figures and the table read as a single composition. Generous mat (5–6 cm), dark walnut frame.

16 × 20 in
approaching the limit

Pushable for a feature wall; at this scale the lithographic granulation becomes a textural element rather than a transparent medium.

Source statement

Digital source: Rijksmuseum, Amsterdam, open-access program (RP-P-OB-40.642). Public Domain.

Original work: Aimé de Lemud (1816–1887), Man and Woman Drinking Coffee / Man en vrouw drinken koffie, lithograph (own design and own printmaking), c. 1840. Rijksmuseum RP-P-OB-40.642.

Restoration notes. Conservative paper-tone preservation; collector’s blind-stamp and verso ink-stamp preserved in the file. No retouching applied to the printed image.

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