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Piece №003
  19th c. botanical plate

Historical context

This plate of Coffea arabica — flowering branch at center, isolated bloom and fruit cross-section at the margins — follows the convention of 19th-century scientific botanical illustration: a single sheet that gives the reader everything needed to identify the species in flower, in fruit, and in seed. The species itself was described and named by Linnaeus in 1753; by the time this plate was drawn the form had been stable for a century.

The hand of the illustrator is anonymous in our source. Sheets of this kind were typically produced by botanical institutions or commercial publishers working from cultivated specimens in European hothouses — Kew in London, the Jardin des Plantes in Paris, the Hortus Botanicus in Leiden. The aesthetic register is identical across the genre regardless of authorship.

Why botanical plates carry the archive. These are the most institutional-feeling pieces in the collection. They read as serious, scientific, and timeless — the visual language is unchanged from the 19th century to the present, which is exactly why a hand-colored Coffea arabica plate hangs comfortably next to mid-century design. Wellcome, the Biodiversity Heritage Library, and Gallica between them hold hundreds in public domain.

Technically this is a hand-colored engraving: an intaglio plate inked, wiped, and pressed onto rag paper, then washed with watercolor by hand. The line work is the engraver’s; the chromatic accuracy is the colorist’s. The two were rarely the same person.

The composition follows the European botanical-plate standard set by Pierre-Joseph Redouté and the Tournefort and Linnaean engravers before him: a primary specimen at scale, isolated details at margin, ground left clean. The convention reads as quiet because it was designed to be read alongside taxonomic text, not on a wall.

Source file is 2480 × 3113 px at 300 DPI from the Wellcome Collection’s open-access program. At native scale it prints at 8 × 10 inches without intervention. The composition reads well at 11 × 14 inches with a wide mat; larger sizes start to expose the watercolor wash.

Catalog

Artist Anonymous botanical illustrator
Title Coffea arabica — Flower & Fruit, Segmented
Year 19th century
Medium Hand-colored engraving on paper
Original size ≈ 26 × 21 cm (plate)
Holding Wellcome Collection, London
License CC BY 4.0 · attribution: Wellcome Collection
Archive № CA-003

Print specifications

8 × 10 in
native, clean

The classic botanical-plate hang. Cream or off-white mat, slim oak or walnut frame. Works as a pair or set of three with companion species.

11 × 14 in
comfortable upscale

The sweet spot for a single-piece hang on a kitchen or coffee-bar wall. Generous mat (6 cm) lets the composition breathe.

16 × 20 in
the upper limit

Pushable for a feature wall, but at this size the watercolor washes flatten. We’d choose this for an apothecary-style hang where the institutional feel is the point.

Source statement

Digital source: Wellcome Collection, London, open-access program, CC BY 4.0. The original plate is anonymous in Wellcome’s cataloging.

Original work: 19th-century botanical illustrator (anonymous), Coffea arabica, hand-colored engraving.

Restoration notes. Conservative balance: paper warmth preserved, no whitening of the ground. Minor edge cleanup.

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